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Week 5 Assignment

Workbook - Chapter 26
Due Monday, Feb 11
- 26.1.I.A-B
- 26.1.III
  - You may ignore the questions below the analysis.
  - The bass line has multiple NCT passing tones, some of which are chromatic. Do not let this change your harmony unnecessarily.
  - “Modal scale degrees” means pitches borrowed from the parallel mode.
- 26.3.I
- 26.3.III
  - Analyze the passage and answer question (b). You do not need to answer question (a).
  - Remember to label the function of any chords that don’t fulfill their primary diatonic function (e.g. passing, pedal, cadential, etc.)
- 26.4.A
  - Measures 5-7 can be analyzed as a sequence or a brief modulation.
    - A sequence will rely on mode mixture.
    - If you choose to use a modulation, make sure to label correctly for the type of modulation that you choose. (Hint: It’s not a pivot of any kind.) Measure 8 will need to return to C minor.
- 26.4.B
  - Double-check that your Roman numerals match your leadsheet symbols.

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