Integrated Music Theory
an open, interactive, online textbook for college music theory

IntMus: Theory | Aural Skills

Assignments & Forum Table of Contents

1) Pitches and Clefs

Lesson 1a - Pitches and Clefs
Discussion 1a - Pitches and Clefs
Lesson 1b - Labeling Pitches
Discussion 1b - Labeling Pitches

2) Intervals, Scales, and Keys

Lesson 2a - Identifying and Labeling Intervals
Discussion 2a - Identifying and Labeling Intervals
Lesson 2b - Scales and Scale Degrees - Diatonic, Pentatonic, and Chromatic
Discussion 2b - Scales and Scale Degrees - Diatonic, Pentatonic, and Chromatic
Lesson 2c - Key Signatures
Discussion 2c - Key Signatures

3) Triads, Seventh Chords, and Leadsheet Notation

Lesson 3a - Triads
Discussion 3a - Triads
Lesson 3b - Seventh Chords
Discussion 3b - Seventh Chords
Lesson 3c - Leadsheet Notation
Discussion 3c - Leadsheet Notation

4) Rhythm and Regular Meters

Lesson 4a - Simple Meters
Discussion 4a - Simple Meters
Lesson 4b - Compound Meters
Discussion 4b - Compound Meters
Lesson 4c - Metric perception
Discussion 4c - Metric perception

5) Counterpoint and Embellishing Shapes

Overview 5a - Introduction to Counterpoint
Lesson 5a - Introduction to Counterpoint
Discussion 5a - Introduction to Counterpoint
Lesson 5b - Cantus Firmus and 1:1 Counterpoint
Discussion 5b - Cantus Firmus and 1:1 Counterpoint
Lesson 5c - 2:1 Counterpoint and Embellishing Shapes
Discussion 5c - 2:1 Counterpoint and Embellishing Shapes

6) Introduction to Harmonic Analysis

Class Reading - Style and Tendency
Class reading - An introduction to basso continuo keyboard-style voice-leading
Discussion of class readings
Lesson 6a - Roman Numerals in Harmonic Analysis
Discussion 6a - Roman Numerals in Harmonic Analysis
Lesson 6b - Establishing Diatonic Function through Voice Leading
Discussion 6b - Establishing Diatonic Function through Voice Leading
Lesson 6c - Basic Voice Leading Errors
Discussion 6c - Basic Voice Leading Errors

7) Harmonic Function

Class reading - What is harmonic funtion?
Lesson 7a - Diatonic Progressions Derived from Circle-of-fifths Voice-leading
Discussion 7a - Diatonic Progressions Derived from Circle-of-fifths Voice-leading
Lesson 7b - Performing a Harmonic Analysis
Discussion 7b - Performing a Harmonic Analysis
Lesson 7c - Cadences
Discussion 7c - Cadences
Lesson 7d - The Phrase, Sub-phrase, and Motive
Discussion 7d - The Phrase, Sub-phrase, and Motive

8) The Overtone Series

Lesson 8a - The Overtone Series
Discussion 8a - The Overtone Series

9) Non-Chord Tones

9a Lesson - Non-chord Tones
9a Discussion - Non-chord Tones
9b Lesson - Using Non-Chord Tones to Inform Harmonic Analysis
9b Discussion - Using Non-Chord Tones to Inform Harmonic Analysis

10) An Introduction to Part-writing

Lesson 10a - Fundamentals of Part-writing
Discussion 10a - Fundamentals of Part-writing
Lesson 10b - Part-writing Errors
Discussion 10b - Part-writing Errors
Lesson 10c - Error detection
Discussion 10c - Error detection

11) Practical Part-writing

Lesson 11a - Voice-leading for Root Position Triads and Seventh Chords
Discussion 11a - Voice-leading for Root Position Triads and Seventh Chords
Lesson 11b - Voice-leading for First and Third Inversion Chords
Discussion 11b - Voice-leading for First and Third Inversion Chords
Lesson 11c - Voice-leading for Second Inversion Chords
Discussion 11c - Voice-leading for Second Inversion Chords
Lesson 11d - Tonal Sequences
Discussion 11d - Tonal Sequences

12) Instrument Transpositions, Ranges, and Score Reduction

12a Lesson - Instrumental Transpositions and Ranges
12a Discussion - Instrumental Transpositions and Ranges
12b Examples - Score Reading and Reduction
12b Lesson - Score Reading and Reduction

13) Phrasing and Texture

13a Examples - The Period
13a Lesson - The Period
13b Examples - The Sentence
13b Lesson - The Sentence
13c Examples - Combining Periods and Sentences
13c Lesson - Combining Periods and Sentences
13d Examples - Musical Textures
13d Lesson - Musical Textures

14) Secondary Dominant Functions

14a Examples - Secondary Dominant Chords
14a Lesson - Secondary Dominant Chords
14b Examples - Secondary Leading-tone Chords
14b Lesson - Secondary Leading-tone Chords

15) Further Secondary Functions

15a Examples - More Secondary Dominant Functions
15a Lesson - More Secondary Dominant Functions
15b Examples - Non-dominant Function Secondary Chords
15b Lesson - Non-dominant Function Secondary Chords
15c Examples - Irregular Usage of Secondary Chords
15c Lesson - Irregular Usage of Secondary Chords

16) An Introduction to Modulation

16a Examples - Defining modulation
16b Lesson - Defining modulation
16b Examples - Pivot chords
16b Lesson - Pivot chords
16c Examples - Alternate modulatory methods
16c Lesson - Alternate modulatory methods

17) Mode Mixture

17a Examples - An introduction to mode mixture
17a Lesson - An introduction to mode mixture
17b Examples - Advanced mode mixture
17b Lesson - Advanced mode mixture

18) Chromatic Chords

18a Examples - bII chords (Neapolitan)
18a Lesson - Neapolitan chords (bII⁶)
18b Examples - Augmented sixth chords
18b Lesson - Augmented sixth chords
18c Examples - Common-tone diminished chords
18c Lesson - Common-tone diminished chords

19) Extended Tertian Harmony

19a Examples - Extended Tertian Harmonies and Non-chord Tones
19a Lesson - Extended Tertian Harmonies and Non-chord Tones

20) Advanced Chromatic Techniques

20a Examples - Mediant harmony and Idealized Voice-leading Intervals
20a Lesson - Mediant harmony and Idealized Voice-leading Intervals
20b Examples - Advanced Modulatory Techniques
20b Lesson - Advanced Modulatory Techniques
20c Examples - Chromatic Sequences
20c Lesson - Chromatic Sequences

21) Beyond Simple and Compound Meters

21a Examples - Advanced rhythm and meters
21a Lesson - Advanced rhythm and meters

22) An Introduction to Non-Diatonic Materials

22a Examples - Non-diatonic scales
22a Lesson - Non-diatonic scales
22b Examples - Pitch-class integer notation
22b Lesson - Pitch-class integer notation

23) An Introduction to Post-Tonal Analysis

23a Examples - Basic PC Set Manipulation
23a Lesson - Basic PC Set Manipulation
23b Examples - PC Set Inversion
23b Lesson - PC Set Inversion
23c Examples - PC Set Prime Form
23c Lesson - PC Set Prime Form
23d Examples - Serialism and Tone Rows
23d Lesson - Serialism and Tone Rows
23e Examples - Using Pitch Class Sets in Analysis
23e Lesson - Using Pitch Class Sets in Analysis

Fall Assignments

Weekly Assignment - Unit 1
Weekly Assignment - Unit 2
Weekly Assignment - Unit 3
Weekly Assignment - Unit 4
Weekly Assignment - Unit 5
Weekly Assignment - Unit 6
Weekly Assignment - Units 6 & 7
Weekly Assignment - Unit 8
Weekly Assignment - Unit 9
Weekly Assignment - Unit 10
Weekly Assignment - Unit 11
Weekly Assignment - Unit 11 (cont.)

Spring Assignments

Week 2 Assignment
Week 3 Assignment
Week 4 Assignment
Week 5 Assignment
Week 6 Assignment
Week 7a Assignment
Week 7b Assignment
Week 9 Assignment
Week 10 Assignment
Week 11 Assignment
Week 12 Assignment
Final analysis project

Final Project

Beethoven Trio - large-scale form
Beethoven Trio - harmonic analysis

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Integrated Music Theory 2018-19

Please note: this is an archived version of the textbook. Visit IntMus for up to date content!

Chapter 13) Phrasing and Texture
13a Lesson - The Period ❯

13a Examples - The Period

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