Weekly Assignment - Unit 11

• 11a
  • 12.5.I.B-F
    • For contextual analysis, simply label each chord’s function: (i.e. tonic, dominant, pre-dominant)
    • You may not alter the bass line indicated by the Roman numerals.
    • When “changing the voicing” on repeated harmonies, you cannot prioritize stepwise motion and stay within the harmony. Simply move one or more chord tones to another chord tone.
  • 13.1.I.d-h
    • Follow all of the instructions.
  • 15.3.II.A
• 11b
  • 13.3.II.(b) and (d) only
    • You do not need to do (c).
    • For the 4/3 chord in (b), consider this a passing chord. This means that it is simply connecting the i chord to the i⁶ and will have all stepwise or static motion.
  • 13.4.II

For information about getting started and our community guidelines, please check the forum help page.