Weekly Assignment - Units 6 & 7
- 6b
- 11.1.II
- Pay careful attention to Step #5 in the instructions. I and V chords (and their inversions) are your only options.
- Be mindful of the key signatures.
- Make sure to play your examples back using a keyboard. Your ear will catch most mistakes.
- 11.2.I.A
- Same as above. Only I and V chords (and their inversions) will be accepted.
- Remember that the seventh scale degree must be raised in minor.
- 11.4.I
- You may ignore question (b). This question is poorly constructed, and would require a VIM6/5 as a correct answer that incorporates E-flat as a chord tone.
- 11.4.II
- 6c
- 12.1.II
- 12.2.I
- 12.3.I.B & D only
- You do not need to complete A or C.
- 7a
- 13.6.II.A
- add progression only, NO part-writing yet
- 13.6.II.C
- add progression only, NO part-writing yet
- 7b
- 13.3.III.A - B
- Disregard instructions, although you should still ignore all circled pitches; the circled pitches are non-chord tones.
- Provide Roman numerals, inversion figures, and cadences only.
- See cadence abbreviations below.
- 13.5.II
- Disregard instructions.
- Provide Roman numerals, inversion figures, and cadences only.
- See cadence abbreviations below.
- 13.6.I.A-B
- Disregard instructions, although you should still ignore all circled pitches; the circled pitches are non-chord tones.
- Provide Roman numerals, inversion figures, and cadences only.
- See cadence abbreviations below.
- 7c
- 12.1.I.A - C (ignore IAC “strong” vs. “contrapuntal”)
- 12.2.II
NOTE: Cadence abbreviations: PAC = Perfect Authentic Cadence, IAC = Imperfect Authentic Cadence, HC = Half Cadence, DC = Deceptive Cadence
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