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Weekly Assignment - Units 6 & 7

  • 6b
    • 11.1.II
      • Pay careful attention to Step #5 in the instructions. I and V chords (and their inversions) are your only options.
      • Be mindful of the key signatures.
      • Make sure to play your examples back using a keyboard. Your ear will catch most mistakes.
    • 11.2.I.A
      • Same as above. Only I and V chords (and their inversions) will be accepted.
      • Remember that the seventh scale degree must be raised in minor.
    • 11.4.I
      • You may ignore question (b). This question is poorly constructed, and would require a VIM6/5 as a correct answer that incorporates E-flat as a chord tone.
    • 11.4.II
  • 6c
    • 12.1.II
    • 12.2.I
    • 12.3.I.B & D only
      • You do not need to complete A or C.
  • 7a
    • 13.6.II.A
      • add progression only, NO part-writing yet
    • 13.6.II.C
      • add progression only, NO part-writing yet
  • 7b
    • 13.3.III.A - B
      • Disregard instructions, although you should still ignore all circled pitches; the circled pitches are non-chord tones.
      • Provide Roman numerals, inversion figures, and cadences only.
        • See cadence abbreviations below.
    • 13.5.II
      • Disregard instructions.
      • Provide Roman numerals, inversion figures, and cadences only.
        • See cadence abbreviations below.
    • 13.6.I.A-B
      • Disregard instructions, although you should still ignore all circled pitches; the circled pitches are non-chord tones.
      • Provide Roman numerals, inversion figures, and cadences only.
        • See cadence abbreviations below.
  • 7c
    • 12.1.I.A - C (ignore IAC “strong” vs. “contrapuntal”)
    • 12.2.II

NOTE: Cadence abbreviations: PAC = Perfect Authentic Cadence, IAC = Imperfect Authentic Cadence, HC = Half Cadence, DC = Deceptive Cadence

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